Let’s have some Interpol because why not. Not the law enforcement kind of Interpol, mind you: that would just be most inconvenient for all concerned.

I have been making a concentrated effort lately to listen to the full albums for songs I only have one or two off of. Case in point: Interpol’s Turn on the Bright Lights, from which Untitled appears. Turns out that I quite like Interpol! Or, at least, this particular album. It’s full of dreamy, guitar-driven effects, plus a smattering of post-punk sensibilities in the form of Paul Banks’ vocals and general compositional work. Sublime, folks.